What came first? Milan or Florence? You say Milano, I say Firenze. Yes, as history had it, Florence was the chosen site for the first large-scale fashion capital in post-WWII era Italy– the place where Italians strutted their goods for international editors and U.S. buyers alike, making Florence a natural follow-up to the Paris collections.

Milan Fashion Week - Part 2 - Italy assumes its position

Milan Fashion Week - Part 2 - Italy assumes its position

Many factors were at play in this rags to riches’ story. Thanks to the Marshall Plan (1948-1951), Italy’s industrial reconstruction showed great resilience. Its battered textile industry rebounded into production with a vengeance and began to produce, once again, the quality silks and woolens for which they had become known, as well as  newly developed synthetics, thanks to DuPont.

Milan Fashion Week - Part 2 - Italy assumes its position

The artist Ethel Gabain, newly appointed by the Ministry of Information to make historical war pictures, at work among bombed ruins in the East End of London on November 28, 1940. (AP Photo)

Milan Fashion Week - Part 2 - Italy assumes its position

Map from The Marshall Plan at the Mid-Mark, 1950

Milan Fashion Week - Part 2 - Italy assumes its position

1935: Nylon is produced for the first time

The impresario behind the first full-scale Italian fashion presentation was Giovanni Battista Giorgini, an elegant aristocrat who used his charm and connections to pull-off the impossible… Get the international press and buyers to stop by for a few days.

Milan Fashion Week - Part 2 - Italy assumes its position

Giovanni Battista Giorgini

If his first foray was a presentation at the beautiful Villa Torrigiani on February 1951, 1952 marked the birth of the collections, as we know them today in Milan.

Milan Fashion Week - Part 2 - Italy assumes its position

Villa Torrigiani

Milan Fashion Week - Part 2 - Italy assumes its position

Giovanni Battista Giorgini with models, 1956

Milan Fashion Week - Part 2 - Italy assumes its position

Sala Bianca, Palazzo Pitti, Florence, Fall-Winter 1964. Photo by Winkler, Wien

From 1952 on, La Salla Bianca (the White Room), in the famed Palazzo Pitti, showcased what Italy had to offer. Giorgini had the brilliant idea to simplify and to categorize the line-up –Boutique, Leisurewear, Sportswear, and Alta Moda. Luxury textiles were Italy’s trademark with plenty of fur, of course! And this new presentation format not only helped the buyers select with greater ease, but heightened the drama and excitement.

Milan Fashion Week - Part 2 - Italy assumes its position

Gianni Battista Giorgini

Milan Fashion Week - Part 2 - Italy assumes its position

Iconic design by Emilio Pucci

Milan Fashion Week - Part 2 - Italy assumes its position

Alberto Fabiani designs, mid-1960s

Milan Fashion Week - Part 2 - Italy assumes its position

Ensemble by Emilio Schuberth, 1951

Luckily for him, designers Giovanna Caracciolo, Alberto Fabiani, Emilio Pucci and Emilio Schuberth, were on board to wow the audience. Soon after, Renato Balestra, Roccobarocco, Krizia, Missoni and Valentino were added to the mix.

Milan Fashion Week - Part 2 - Italy assumes its position

Krizia, Vogue Italia, April 1971

Milan Fashion Week - Part 2 - Italy assumes its position

Missoni - not just knits and stripes

Florence would reign supreme until the late 1970s, as every designer aspired to present their collections in the famous Salla Biancha. It was as if being invited to take part in the show was a symbol of prestige and a much sought after honor. Florence may not have dethroned Paris, but this Italian fashion outpost was certainly an equal.

Milan Fashion Week - Part 2 - Italy assumes its position

Presentation at the Sala Bianca, Palazzo Pitti, Florence

Next: Milan changes the game.

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